It’s a linen cloak, woven in serge with a weft called fish thorn, 4.36x1.10 that shows juxtaposing in front and back from the top of the head, the shadow of a naked man 1.80 m long, produced by radiation burns, without contact.

In coincidence with the shadow, blood tracks allows a guess that the man was whipped, crowned with thorns, and perforated in feet and hands. More specialized studies lets us notice that the Man is of Semitic race, with blood AB type, that he received several blows, that fragments of beard were loosened, and that he died by asphyxia in a vertical position.

The Shroud shows, besides, traces of humidity by a flood in edessa, and it’s perforated as it was folded during the chapel fire where it was kept in Turin in 1532.

Rollover & clic & double clic.

The Shroud was restored in 2002.

In 1898 Secondo Pía takes photos of the Shroud, and in revealing them, finds out that the negative is the photographic positive; that is, the shadow of the Shroud equals a photographic negative.

To whip him, two types of whips were used from opposite positions. Both leather straps ended in small plumb staples that ripped off his flesh as they pulled the straps.

Max Frei found on the Shroud pollen spores from native plants of Jerusalem, Turkey, France and Italy, corroborating its historical geographic itinerary.

As the photographs of the Shroud are analyzed through the NASA’s VP8 Visor, designed to explore Mars’s orography, Jackson, Jumper and Mortten discover that the shadow is tridimensional, and describes the distances between the radiation emitting Body and the Shroud, receptive surface of the radiation.

Taking the VP8 visor photographies as basis, father Francis Filas finds on the right lid region of Jesus the inscription of a lepton, the cheapest roman coin in Caesarea Felipa in times of Jesus.

The paleographers Ugolotti and Marastoni and the optic experts André Marion and Anne Laure Couragey find inscription in Hebrew, Greek and Latin on the back of the Shroud, around the Face: “Shadow of Face”, “Dead Nazarenes”, “Tiberius”, “Adam” and “I testify”, among others.