Rollover and click. • It has a very peculiar deformity, the point of the chin appears kind of sharp; the nose, curved and a forehead not compatible with the profile of the Countenance. This deformity appears as if the picture were of a bi-dimensional image, and doesn’t allow any coincidence with the rest of the pictures, that’s what makes the image as a second visual term bearing tri-dimensionality to the photocomposition. • The image, with a six degree rotation, is overall coincident with the imprint of the Face or Countenance registered on the Holy Shroud, and the curls are coincident with the blood stains. This confirms the inversion of the image as in the original image of the Shroud, to which the mirror effect has to be applied in order to be seen correctly the right and left sides of the Body. • The deformation can’t be corrected or improved through the Photo Shop or Corel Paint programs available, since it is the same as the sweeping movement of the head that curved the Holy Shroud, producing the wrinkles that frame the Face up and down.• It is remarkable the trace of tears. Papal House’s preacher, Rainiero Cantalmessa has considered that as Christ resurrected from his martyrized Body, that’s why in certain way, the Crucifixion pains didn’t cease within Glorious Jesus. |  |
Context. In 1982. The Israeli army invades for the first time south of Lebanon to fight the Hamas pro Iranian group, who was bombing the north of Israel. Nazareth region and upper Golan get in a convulsion. | |